• Bio/CV

• Fields
  • Philosophical Archeology Space 2009–2019
  • Not Quite the Highest Point
  • I knew, but didn't believe it and because I didn't believe it, I didn't know
  • Tears, Fears and Flashes
  • Silent Maps
  • To return to a place, is, like dying
  • Vaalbara
  • Mother, Ravens!
  • Galut (Diaspora)
  • Attentiveness Foldings
  • Between Things
  • If the Walls Could Speak
  • The Giving Tree

• Theory Acts
  • #1 - Sound: A Concept
  • #2 - Erratum
  • #3 - Return

• Objects
  • Erratum
  • Teca (everything you tell me I keep in my body)
  • Shirakawa Barrier (for Amnon Wolman)
  • The Aspect of Composition that can Properly be Discussed
  • The Revisit II
  • Had We but World Enough and Time
  • From the River Archive
  • Forty Eight Adieux for Peace
  • Whirlpools
  • Quiet Whispers in the Hallway
  • Halacha and Hagada
  • A Revisit

• Sound Walks & Maps
  • The Ragatka's Kloiz
  • 15 Maps for Becoming A Concept

• Compositions & Releases
  • Erratum
  • French Beach
  • The Revisit
  • Galut (Diaspora)
  • Moraine
  • Attentiveness Foldings
  • +Ido Govrin
  • Titled
  • Limbo Sketches

• Curatorial Projects
  • Laptopia#5
  • Laptopia#4
  • Laptopia#3
  • Laptopia#2
  • Laptopia#1

• Texts
  • Academia
  • Over the Idea of Time

Laptopia #5 - Utopia, Aesthetics, Liberation
Bat-Yam Museum of Contemporary Art, Bat-Yam (Israel/Palestine)
January 15th 2009 - April 18th 2009

Participating Artists:
Amnon Wolman (IL)
Carsten Goertz (DE)
Duprass; Ido Govrin and Liora Belford (IL)
Gilles Aubry (CH)
Karl Kliem (DE)
Marcus Schmickler (DE)
Mark and Laura Cetilia (US)
Yaron Lapid (IL)
Yossi Mar-Chaim (IL)
hans w. koch (DE)